design of the Calendar is simple. It is organized like a set of
transparencies, each containing data from astronomy, astrology, the holy
days from Buddhist, Christian, Hindu, Islamic, Jewish, Taoist, ancient
Babylonian, Egyptian, Greek, Roman and other calendars, and the great
Earth Festival Wheel as understood by Celtic, Druidic, Wiccan and Native
American traditions. Place enough of them together, and the spiritual
power points on the year wheel begin to emerge. The aim of the Universal
Festival Calendar is simply to contribute better timing to the events
we organize in our efforts to achieve liberation and transformation
through concerted intention by spiritually awakening people.
The Universal Festival Calendar aims to help test the Aquarian principle of morphogenetic resonance:
that is, the idea that as more and more human beings awaken into
spiritual consciousness, there must come a point when, suddenly and
mysteriously, all of humanity will be awake - living, thinking and
acting in a more conscious and more loving, compassionate way. It is
clearly vital that we test this idea and determine whether it works,
especially now that we have been offered recent signals about the Best
Time to Meet -- like the Grand Crosses of August 1999, the Taurus
Stellium of May 2000, the Harmonic Concordance of November, 2003 and the
Venus Passage and Grand Quintile of 2004 -- and we are now in the
approach to the End of Time, the Transformation of 2011 - 2012.
is humanity's responsibility to test our powers again, as we have
before in the forgotten times, so that we will not only approach
the Aquarian Age, but with improved skill and effort, we will consciously
The Universal Festival Calendar is compiled and checked from various web sources and other publications. They are listed in Calendar Studies and Links.
pieces of the Universal Festival Calendar now on view are in the table
below. Some months remain here for a year or more so that readers who
wish to track celestial dynamics of long duration can view running
commentaries on them in the Mythic Preludes.